| |
|
|
|
|
|
|
|
 |
|
|
Culture-Voice.com features new content every Friday.
In the coming months, our regulars will be exploring the following themes (our readers are invited to contribute as well):
motherhood, secrets, equations, rituals, grappling hooks, basements & attics, first kiss, the unknown, wanderlust, hierarchy, discipline, my first job
If any of these themes compel you to submit something for publication (photo, essay, poem, short film, short story, etc), send them to writefor@culture-voice.com.
|
|
|
|
|
|
A Daily Wad

our editors' daily blog
|
|
|
|
This week's theme:
The Best of Vox
|
|
|
| I never fully feel comfortable using the word "supple." Not even in Mad Libs. SA |
|
|
|
Happy Birthday George Michael
You put the boom-boom into my heart
You send my soul sky high when your lovin' starts
Jitterbug into my brain
Goes a bang-bang-bang 'til my feet do the same. SA
|
|
|
| It's Tightwad Tuesday here at Culture Voice. All articles are two for the price of one. Discount applied at checkout. SA |
|
|
| I'm not sure I need humorous sayings on my hot sauce packets. SA |
|
|
|
Stephen Ausburne, Editor-In-Chief
To learn more about our regular contributors, click any name below.
|
| |
|
Katie Burke, MC, JD
|
|
Erin Dunigan, MDiv
|
|
Gordon Gartrell, FU
|
|
Ivan Goddard, PhD (ABD)
|
|
Charity Hoffman
|
|
C. Nolan Huizenga, MA, MDiv
|
|
Curtis Kuhn, BFF
|
Aurturo Lorenzo
|
|
Dana McMahan
|
|
Michael Mulligan, MA
|
|
C.C. O'Lorin, PhD
|
|
Kermit Pitsfield, PhD
|
|
Christin M. Rice, MDiv, MFA
|
|
Valerie Searing
|
|
Banality Smith
|
|
Elliot Spencer, MPhil
|
| Tad Wagner |
| |
|
|
|
| Archives |
|
FAQ
|
| |
| |
|
|
|
|
|
On Shakespeare and Uncle Ben

This is something that I have thought about over the years. Some people’s works are considered great because they are attached, through authorship, to other works. Consider Shakespeare festivals and companies. It is rare that a Shakespeare company will perform something outside of Shakespeare’s works (whether you are convinced of the validity of Shakespeare as author of the work is beside the point, or argues the point for me depending on how you look at it). However, is it not true that many of Shakespeare’s works are inferior to others by him and some inferior to those by some of his contemporaries? And yet, Measure for Measure, as fine a play as it is (and it may be a stroke of genius by the Bard) is not very entertaining or funny at all. Isn’t our desire to be [...more]
|
|
|
Sex, Lies, and Falling Prices
Not so very long ago, I found myself roaming the aisles of our local Wal-Mart. I cannot recall why I was in such a predicament; I can only assume that my wife had drawn the longer straw. Whatever the reason, I was there and, as is customary when I am in the belly of the megastore beast, I found myself fascinated by the natives. People of all kinds are scattered throughout the land of shopping convenience, yet there seems to be agreed upon social codes: [...more]
|
|
|
|
WWAPD?

I’m worried my therapist thinks I’m crazy. Does that make it true?
Sure, I am the one who sought therapy in the first place, so I’m willing to grant that there might just be the possibility that I am not, as it turns out, perfect. But still, crazy’s another thing altogether. I never signed up to be crazy. No offense, of course, to people who actually are. I’m okay with them being the way they are. I’m just not interested in joining them there.
But, truth be told, I’m a bit [...more]
|
|
|
If I had a Grammar: Tracking Orality in a Literate Culture
by A. Le Donne
I admit from the start that I am Californian. This means that there is an eight hour time difference between me and the Queen’s English. Americans descend from pilgrims who left England with the hope of a more relaxed grammar. Californians descend from wagoneers who left the East Coast to pan for an even more relaxier grammar. Don’t even get me started on Hawaiians [...more]
|
|
|
by Rebecca L. Stull
A Mannequin Dreams

of a baby
inside her plastic shell,
between her brittle
pre-pubescent hips
rotating like a small
humid planet
arms pinned
as if being hemmed, or trimmed,
skull still malleable.
These are the days of softness.

Before squeezing out
of the mechanical woman
the baby listens
with new ears.
This is strange, but she hears
the crowds staring,

pressing against the glass
photos by Rebecca L. Stull
[NB: A Mannequin Dreams is an excerpt from a forthcoming chapbook
titled Mall Dwelling by the same author]
|
|
|
Letter From the Editor
Greetings dear reader. My name is Stephen Ausburne and I am the official Culture Voice figurehead known as the Editor in Chief. It is my extreme, borderline erotic, pleasure to welcome you to the re-release of the cultural phenomenon that is our webzine. If you are a returning reader/fanatic, then you will be pleased to know that [...more]
|
|
|
|
The Missing Sock:
A fable for creative survival in corporate America
by Christin M. Rice

Photo:Blue Socks, ©Laura Shafer, LineDry.com
Imagine large font. And here is where we introduce a clever, but really simple fable. Were this book-length, I would then use this fable to talk down to you for the next 80 pages. The sole purpose of this fable is to have something to hang all of my pithy one-liners (which you are meant to take to heart and I will repeat, using PowerPoint, when you bring me in for a 20,000 dollar speaking engagement at your conference. I will be sure to have very white teeth and many anecdotes for this). The fable is this: You have a favorite pair of [...more]
|
|
|
...Rarely does a movie have more than two characters that change; Into the Wild has at least nine. McCandless transforms (Emile Hirsch), as do his parents and sister (Marcia Gay Harden, William Hurt, and Jena Malone), the hippies and their daughter (Catherine Keener, Brian H. Dierker, and Kristen Stewart), the elderly man (Hal Holbrook), and even McCandless’ summer employer (Vince Vaughn). Because each of these characters are complex (i.e. real people), their motivations and actions can inspire ...[more]
|
|
|
|
"One Page" is a weekly excerpt from a book being read by one of our regulars. This week's One Page is torn by Mr. Goddard from Søren Keirkegaard's annonymously published Either/Or:
It may at times have occurred to you, dear reader, to doubt somewhat the accuacy of that familiar philosophical thesis that the outer is the inner and the inner is the outer. Perhaps you yourself have concealed a secret that in its joy or in its pain you felt was too intimate to share with others. Perhaps your life has put you in touch with people about whom you suspected that something of ths nature was the case, although neither by force nor by invieglement were you able to bring out into the open that which was hidden. Perhaps neither case applies to you and your life, and yet you are not unacquainted with that doubt; like a fleeting shape, it has drifted though your mind now and then. A doubt such as this comes and goes, and no one knows whence it comes or whither it goes. I myself have always been rather heretically minded on this philosophical point and therefore early in my life developed the habit of making observations and inestigations as well as possible. For guidance, I have consulted the authors whose view I shared in this respect--in brief, I have done all I could to make up for what has been left undone in the philosophical writings. Gradually, then, hearing became my most cherished sense, for just as the voice is the disclosure of inwardness incommensurable with the exterior, so the ear is the instrument that apprehends this inwardness, hearing the sense by which it is appropriated. Consequently, every time I found a conntradiction between what I saw and what I heard, my doubt was confirmed and my zeal for observation increased. A priest who hears confessions is separated by a grillwork from the person making confession; he does not see him, he only hears. As he listens, he gradually forms a picture of the other's outward appearance corresponing to what he hears; thus he finds no contradiction. It is different, however, when one sees and hears simultaneously but sees a grillwork between oneself and the speaker. My efforts to make observations along this line have...
This is the first page of the preface to Either/Or (p.3) edited and translated by Howard V. Hong and Edna H. Hong, Princeton UP, 1987.
|
|
|
|
|
|
|
|
|
|
|